Westwood Village is a rainy tableau of drowned-looking banners welcoming visitors to UCLA, rivulets pouring off palm leaves and rooflines, stucco turning dark and waterlogged, traffic splashing through quiet streets. The sidewalks are wet and almost deserted in the holiday lull, the students scattered back to wherever they came from. Only a few umbrellas are bobbing along Kinross Avenue.
I’m not beneath one of them. My umbrella is already packed away somewhere in the U-Haul trailer that I’m towing around, taking delivery of hand-me-down furniture from colleagues. The stuff is mostly junk — a battered old filing cabinet, one of those papasan chairs from Pier One, blah blah blah — but the price is right. This is how you furnish your rental property in Tijuana for free. And a year from now, when I’m moving back to America, I’ll just toss it out in the street and watch it magically disappear. That’s the beauty of a Third World country. Everything gets recycled.
Only a couple strides from my Explorer to the entryway of Suji-San and I’m already drenched, the rain streaming off my floppy hatbrim and soaking the shoulders of my corduroy jacket. Then I’m inside the minimalist Japanese restaurant, a long glassy room of natural pine flooring, black lacquer tables and chairs, and accents in striking colors — candyapple reds, mustard yellows, sea greens. A yawning Asian hostess is seated on a tall stool behind a pedestal table. The dinner rush consists of me and five other diners.
Professor Francisco Chavez is waving hello, as if I can’t spot his solitary figure in a quadrant of unoccupied tables. His other hand is worrying a bottle of Kirin, making the label revolve as he spins it by the neck. He looks like he was attacked by Ralph Lauren — powder blue oxford shirt, argyle sweater vest with the little polo horsey, cuffless khaki slacks. A tasseled loafer is jutting into the aisle. Nearby is a big golfing umbrella, overturned and puddling on the shiny pine.
“Frankie!” I say with more enthusiasm than I feel, slapping skin with him.
“How’s it going, chief?” His habit of calling everyone by generic nicknames is one thing I won’t miss about America.
“Christ, this is macabre.” I point to the wallhanging above the table, a vaguely surrealist painting of Tokyo’s Ginza district at night, streaked with neon and ghostly blurring faces. “Doesn’t exactly stoke the appetite, huh?”
Frankie blinks at the disturbing picture. “Didn’t even notice it.”
“Atayo Kurishima,” a waitron announces, almost scaring me out of my skin. The shock-haired Japanese kid seems to have materialized out of thin air, probably because he’s gliding around on straw-bottomed sandals. He points at the picture and says something in horribly mangled English, then tacks on Atayo Kurishima again.
“Did you catch that?” Frankie sighs.
“I think he’s saying we can buy a genuine Atayo Kurishima painting if we want,” I guess, and pantomime-order a Kirin for myself too.
“Order us something to eat while you’re at it. You took Japanese as an undergrad, right? Maybe you’ll have better luck than I did. You can’t believe what I went through to get this beer.”
I order a couple platters of sushi and some California rolls, using the menu as a common reference, pointing at each item. When I lean over to see if the waitron is getting it, all I see on his notepad are Japanese characters. Eventually I stop pointing and he hovers attentively, waiting to see if there’s more. There’s not. I watch him glide off, silent on the squeaky floor. God knows if dinner will resemble my order.
Frankie is giving me a look of burning curiosity. “What’s up with you, sport? Hercules says you’re running around with a new girl. The way he tells it, she’s Middle Eastern and tall enough to be a WNBA player and has some kind of fucked-up eye condition. Is all that true?”
“You and Hercules talk about shit like that?”
“Of course we do. Beats arguing about politics.” He grins slyly, enjoying my discomfort with the revelation that he and Hercules — devoted archenemies — still gossip behind my back. “So this chica is your new girlfriend, huh? Hercules says he likes her, if that counts for anything. Which it probably should, considering he can’t stand most people.”
“She’s not my girlfriend, one word. She’s my girl friend, two words.” That sounds too glib even for me. “Seriously, she’s just a friend. The big news is that she’s going to be my research assistant.”
“Don’t count your money before it’s in the bank. Hercules hasn’t got the funding for that supplemental research grant yet.”
“But he will.”
“Yeah, he probably will.” Frankie shifts jealously in his chair. Someday his reputation will command certainties, if he continues teaching and lecturing and publishing like a 60-watt bulb in a 40-watt socket. Until then he’s just another prof who isn’t named Hercules.
The waitron glides out of the kitchen with two Kirins on his tray, one for me — and another one for Frankie, even though he’s barely halfway through his first. Apparently the kid thought I was pantomime-ordering two beers instead of one. I thank him anyway, provoking a brief impenetrable response in Japanese.
Frankie swigs long and loudly from his beer, apparently racing me to the extra bottle sitting between us. “What will this new girlfriend — oops, girl friend — be doing for you?”
I ignore his jibe. Ticking off the job description on my fingers, I say, “Digitizing the documents in the maquiladora archive. Digitizing any other papers I come across. Keying in data from my field research. Helping me with interviews.”
“Helping you — how?”
“Like, keying in the transcripts. But Nooshin — that’s her name — she isn’t fluent in Spanish. So I may farm out that part to somebody else.”
“Your Girl Friday.” The comment makes me bristle with wariness, but he’s laughing. “Just don’t be a tyrant, alright? She isn’t paid to work as hard as you.”
“I hear you.”
The mirth seeps out of Frankie’s face, leaving an inscrutable expression. Those dark eyes are full of something, but I’m not sure what. Friendship, maybe. Or just math about the game I’m playing with Hercules, leveraging a simple archival digitization into another $16,000 of funding. His fingertips go back to spinning the neck of his Kirin bottle.
“What?” I ask him.
He shrugs, a brief flinch of his rounded shoulders, and looks away to the rain-lashed street. “I’m gonna miss having you around, coach.”
At first it seems like one of those awkward male-bonding moments, when we’re stuck with emotions and no vocabulary to express them, but then I realize Frankie isn’t just feeling my absence from UCLA next year. He’s feeling my future absence from the profession, anticipating another white male Ph.D. who won’t find a tenure-track position. A distinct likelihood. When hundreds of candidates apply for every job opening in Latin American Studies and Latin American History, male genitalia and heterosexuality and lack of melanin just make your odds even worse.
Of course, nobody thought I’d get another dime of funding from Hercules either.




