Imagine standing on a broad elevated stage that recedes into spotlights. Imagine looking up to see a gigantic banner emblazoned with US-MEXICO BORDER SYMPOSIUM and sponsor logos — San Diego State University, the United States-Mexico Chamber of Commerce, Institute of the Americas, the Center for Comparative Immigration Studies. Imagine being the focal point of 200 yawning people and several TV cameras for C-SPAN. Now imagine the huge projection screen behind you refusing to display anything but a cable feed called NO SIGNAL, no matter how desperately you try to get it to acknowledge your laptop’s Powerpoint presentation. And now imagine the confusion and then panicky disbelief and finally utter Hulk-smash rage that –
“You want that button,” a SDSU tech whispers in my ear, pointing at the row of nondescript buttons embedded in the podium. I stab it so hard I almost break my finger. The laptop’s presentation suddenly materializes on the screen.
“60 seconds,” the moderator warns, hearing something in his earpiece. He’s a dead white male in corporate uniform — pinstripe suit, crimson power tie, shiny wingtips. Nothing sparks in his flat stare, in his arms akimbo posture. He traded his soul for a paycheck and a long, hard slog up the orgchart. My future, if I’m not careful.
I check my own appearance for the umpteenth time. Nothing I can do about my bald spot, other than hope it won’t reflect like a disco ball in this spotlighting. My hair feels like astroturf after styling with industrial-strength gel. I smooth it down anyway. Ditto for my mutton chops and soul patch. Then I brush any remaining lint off my coal-black suit, which I’ve paired with a white oxford — unbuttoned at the neck, no tie — and my Steve Madden ankle boots. A vaguely subversive look that still says “single heterosexual male academic”.
Somewhere my suitcoat is ringing. Oh yeah. My cellphone. Forgot to turn it off. But I check the number on the display first. The caller makes me sigh. “Yeah?”
“You forgot to turn your phone off,” Hercules rumbles in my ear, dour and growly. “And Nick? Don’t fuck up.” Somehow my dissertation advisor always knows the exact wrong thing to say. He’s uncanny like that.
I watch the cellphone go dark. It almost squirts out of my hand when I put it away. My palms are that sweaty. The TV cameras are pointed at the podium like rocket launchers.
“Welcome back from break, everyone,” the moderator says into his microphone. There’s a heartbeat of lag before the same words boom down from the ceiling-mounted loudspeakers. “Please take your seats. We’re going to resume. Please, everyone. Take your seats.”
The auditorium fills with scant enthusiasm. I’m distracted by the stragglers, don’t ask me why. I did four years as a teaching assistant. God knows I’ve dealt with enough tardy undergrads who couldn’t be on time if their lives depended on it. I’m even more distracted by the cellphones constantly ringing a bazillion different cutesy idiosyncratic rings. Another thing to hate about southern California. Cellphone etiquette? What cellphone etiquette?
“I’m very pleased to introduce our next speaker, Nick Roberts of the University of California, Los Angeles. Nick is a doctoral candidate in Latin American Studies. His dissertation research focuses on the economic trajectory of small family-owned maquiladoras in Tijuana. Nick’s dissertation advisor is none other than the legendary Hercules — Professor Emeritus Hercules Gutierrez of UCLA, who was a leader of the Brown Panther movement in the Sixties before becoming a world-renowned academic.” The moderator pivots toward me and throws out an arm. “Nick, take it away.”
“Thank you, Roy.” I nod at the dead white male, then turn to face the audience. And the C-SPAN cameras with their blinking indicator lights. Shit. I’m on the air. “Uh… Thanks. Thanks for the opportunity to be here. And thanks to San Diego State and all the sponsors — ” Here I point at the logo-emblazoned banner overhead. ” — for making this important event possible.”
In my peripheral vision I can see the moderator nodding vigorously. He even claps, a solitary set of echoes drifting across the auditorium. If there was a sponsor on stage, he’d probably drop to his knees and give them a blowjob.
“When you think of a maquiladora, what’s the first image that comes to mind? I bet it’s the stereotype — a giant manufactory for a multinational corporation that leverages cheap Mexican labor.” I tap the laptop’s keyboard and a stereotypical maquiladora appears on the projection screen. The prefab concrete building is ginormous. A quartet of smokestacks barf into the sky. Workers swarm in and out like ants.
Then I click to a picture of Korea Textile, abandoned and clinging to a Tijuana hillside. “In reality, most maquiladoras are small, family-owned, and pay higher labor costs than found in the rest of Mexico.” I pause to let that revelation sink in. “Why do Mexican families think they can compete with multinational corporations? How can they afford equipment and modernization and other capital-intensive investments? How do they manage their labor issues when workers are often relatives? What is their survival strategy in the 21st century? That’s what we’ll explore during the next 15 minutes.”
Whew. I made it past the introduction. If I was going to fuck up, I was going to fuck up at the beginning, before I overcame my TV jitters. Now I can put my mouth on autopilot. I’ve memorized this presentation word for word, slide for slide. 15 minutes of blah blah fucking blah. My simple rule for these kind of high-profile performances — memorize everything, risk nothing.
Before I know it, my 15 minutes of fame are over. My mouth has run out of blather, the huge projection screen has reached my final slide. The moderator trots into the podium’s spotlight. “Nick, what a great presentation. Thanks for that fascinating insight into small family-owned maquiladoras. I for one can’t wait to read your finished dissertation. Now we have 10 minutes for questions and answers. Does anyone in the audience have a question for Nick?”
Forget the spontaneity of an audience member just opening their mouth and asking a question, and me just answering it. All questions need to be broadcast over the loudspeakers. That means people have to raise their hands, and wait for an intern with a cordless microphone to scamper down the aisle, and finally ask their questions. I’m not the only one frustrated by the delays. People sitting in the middle of rows get mikes tossed at them. Anything to speed up the mike-passing bucket brigade.
The questions run the gamut:
An American corporate type asks why we should care if small family-owned maquiladoras go extinct. Isn’t it just the dynamic process of job creation and destruction?
I feel my jaw clench. “Why should the rest of us care if your corporation goes belly-up and you lose your job and your family winds up on the street? Same difference.”
A labor activist wants to know if small family-owned maquiladoras are better environments for workers. A small size implies more contact and relationship-building between management and workers. And family ownership implies the possibility of benevolent paternalism, especially if family members and relatives constitute the workforce. Right?
“I can tell you’ve never worked in a small family-owned enterprise,” is my bitter comeback. “Conditions are usually worse. Like a friend reminded me the other day, there’s a reason why small and petty are synonyms — even in Spanish. And the family is the most exploitative labor regime that’s ever been invented.” As both Nooshin and I can attest.
A Los Angeles Times reporter wonders if the collapse of small family-owned maquiladoras has caused more illegal immigration to southern California. Could the tide of illegal immigrants be attributable to the failure of this maquiladora sector?
“Partly attributable, sure. But the problem is proving it,” I say, mindful of all my door-knocking in search of former Korea Textile workers. “There’s no effective tracking mechanism, no data sets to analyze. These workers, they just…disappear.”
A Mexican bureaucrat asks how his government can support micro-maquiladoras. Tax breaks? Subsidies for capital investment? Better integration into NAFTA regulatory bodies?
I can’t remember my answer. I just remember that term — micro-maquiladoras Now that’s sexy! Way better than “small family-owned maquiladoras”. I file it away for future appropriation. Like great artists, we great academics steal.
Then the questions dry up. The audience is whispering to each other, playing with their cellphones, even typing away on their laptops. One dude is falling asleep in his seat, nodding off and startling awake, again and again. The four mike-wielding interns slump in their folding chairs. I glance over at the moderator, begging for an intervention. He listens to his earpiece, smiling beatifically. We’re going the distance of my Q&A time allotment, every fucking minute of it.
When the break finally arrives I’m ready to kneel down and kiss the podium. I survived! Except I haven’t yet. I find myself trapped off-stage, mobbed by questioners who for some inexplicable reason didn’t ask their questions during the Q&A that dragged on like an excruciatingly bad date. I volley answers back at them, sidling toward an auditorium exit and the cool sunshine outside.
The last questioner trails me outside. His footsteps follow mine toward a bench. I can hear the noises of nicotine addiction — the rasp of cellophane, a lighter click, coughing. “Nice job, champ. I’m sure you made Hercules proud.”
I’d recognize that voice anywhere, that use of generic nicknames. “Frankie!” I whirl in minor panic. “What the hell are you doing here?”
The thirtysomething professor contemplates me through a puff of cigarette smoke. He’s rico suave in a cashmere blazer, silk dress shirt, and pleated wool pants. His youthful glamor is accentuated by slicked-back hair that curls against his neck. Frankie wears a name badge that says PRESENTER — which he was, until Hercules cut him out and cut me in. “Hercules went too far this time. That’s what I’m doing here. Now everyone will know what an asshole he is.”
The official reason for my last-second substitution — Frankie was sick. Hercules never thought his neocon arch-rival would disprove it by showing his pudgy face at the symposium. Never in a million years.
I collapse onto the bench, my laptop bag heavy in my lap. “All this over a colonial Caribbeanist.”
“All this over the balance of power in the program,” Frankie corrects, taking another drag on his Marlboro. “If the new hire sides with me, the rest of the program will too.”
“Why do you have to challenge Hercules? Why can’t you just bide your time until he retires or dies? It can’t be long now. You’ll be the departmental jefe after him, guaranteed.”
He sits down next to me, our knees knocking. “Hercules had a good run. A 25 year run. But he’s a fossil now. Who the hell buys into his victimology of race and gender and class anymore? We’re past that as a society. Look who’s running for the Democratic presidential nomination — a black man and a white woman.”
“It’s still a bunch of rich white males on the Republican side,” I point out.
“That’s why a Democrat will win the White House. I hate to admit this because they’re my party, but the Republicans are still living in the Reagan era. Just like Hercules is still living in the Vietnam era.” Frankie drops his cigarette and stomps it out. The butt is immediately lost in the other stomped-out cigarettes surrounding the bench. Apparently this is a popular smoking spot. “You know what people say about the program? We’re fucking irrelevant. Nobody good wants to study Latin America from a marxisant ideological perspective. That’s why all the best minds are going into Economics and Business and Statistics.”
Truth is, I agree with Frankie. The program is a joke, and Hercules is its maestro jokester. But my agenda isn’t to change this petty fucked-up corner of the world. My agenda is to get a Ph.D. as fast and cheaply as possible. That’s why I need Hercules’ ongoing support. Say what you will about the old reptile, but he always delivers.
“What are you thinking?” Frankie asks.
“At least Hercules knows my name. That’s what I’m thinking.”
“I know your name, Nick. See? Nick Roberts. I know. Although names aren’t my strong suit. I admit that.” His look is unabashed, even hostile. “Did you even put up a fight when Hercules sprang this on you?”
“Yeah. I tried to turn him down. Believe it or not, dude. But he threatened me with a loss of funding.”
“You think that’s a threat? I could end your career with a complaint to the Office of Academic Conduct. What’s to stop me from spoiling your little lovenest in Tijuana?”
“Nothing, I suppose. Nothing except…”
“Except what?”
“Except then the archive doesn’t get digitized. It might as well be lost to history, just as certainly as if it burned.”
That’s worth an elbowing laugh from Frankie. “You assume I give a damn about a small maquiladora archive in the possession of a Budweiser distributor.”
“Beats not giving a damn.”
“That’s not much of an insurance policy, sport. What’s your backup plan?”
“You,” I say after a pause.
“Me.” He goes menacingly cold. “This isn’t some reality TV show where you run around stabbing people in the back.”
“No shit. But if you want to take Hercules down, you’ll need my help. I’ve got more dirt on him than all your colleagues combined.” The side benefit of being Hercules’ spy. I always glean more than he intends. Maybe I’m even ready to play connect-the-dots to an embarrassing scandal.
Frankie stands up abruptly. He cuffs me on the back of the head — pretty motherfucking hard. “She doesn’t want to meet me. Not when I’m in a mood like this.” His figure recedes into my peripheral vision, returning to the auditorium.
The “she” is Nooshin, loping around a bike rack toward me. Her face is animated with concern and maybe even a little pride. “Nick…” she starts to say, hovering next to the bench, her bare legs shifting nervously under her sundress.
“Do me a favor. Don’t watch C-SPAN anytime soon, okay?” I mutter.
“We don’t get C-SPAN anyway.” She smiles brighter than a bank of spotlights and folds herself onto the bench next to me, patting my knee once.
That’s the only thing I want to remember about my first time on TV. The comfortable silence of Nooshin sitting next to me, almost-but-not-quite touching, twin shadows cast across the concrete and cigarette butts. Because remembering the other details will just make me insane — Hercules and his machinations, the excruciating Q&A, Frankie’s hostility.